NASHVILLE
SCENE
DECEMBER
16 - 22, 2004 -- OUR CRITICS PICKS
Thursday,
16th
NATHAN
Unlike many alt-country bands, these rootsy ecumenists from Winnipeg get
to the heart of rural North American music without hillbilly kitsch or
weary references to the farm. Like that of their fellow Canadians The Be
Good Tanyas (who are from Vancouver), Nathan's spooky rusticity relies
on a combination of hushed vocals and lightly played banjo and guitar.
To this, they add upright bass, sparse drums, pedal steel and accordion—the
last of these being essential to the reels and shanties of Canada's east
coast, upon which the band drew to make their current album, Jimson Weed.
Tradition-based yet by no means retro, songs like "Bad Ideas" blend dark
introspection with good-natured whimsy in a way that's emphatically modern.
"I'm going down the highway with a suitcase full of all my bad ideas,"
sings principal songwriter Keri McTighe. "Going to check them out / See
what I've been missing all these years." Indeed. —Paul V. Griffith
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